Korg Multi/Poly Analog-Modeling Synthesizer Module

Amazing analog sounds that only digital can provide.

Inspired by the legendary KORG Mono/Poly, the new KORG multi/poly analog modeling synthesizer delivers breathtaking analog sounds combined with extraordinary digital power and flexibility. It’s already garnering acclaim as one of the best synths of the year.

KORG is now pleased to introduce the multi/poly module: all of the multi/poly’s incredible features and sounds in a compact 19″ desktop/rackmount package. With support for MIDI 2.0 property exchange and poly aftertouch, the module is an excellent companion to Korg’s Keystage controller. Its also fully compatible with programs from the multi/poly native software, as well as an increasing number of excellent third-party libraries, keeping the updated sounds and software fresh. The new 19″ rack-mountable enclosure has the same controls as the keyed model, yet is easily transportable and fits neatly into any studio or desktop production system.

KORG multi/poly Demo Sounds

FEATURES

Next-level analog modeling

The multi/poly module features redesigned, incredible-sounding filters and oscillators and its advances in analog modeling go so much deeper. To start with, each voice has a Virtual Voice Card whose oscillators, filters, envelopes, LFOs, and portamento circuits model analog hardware component variations. The result is that each voice has a slightly different character, creating naturally rich timbres. Dial in as much or as little of this variation as you like, separately for each sound.

Just like in an analog synth, voice cards also continue to play even if you’re not hearing them. Envelopes keep evolving, so that if you play a pad with a long release time, newly played notes “catch” the envelope at its current level instead of restarting from zero. Oscillators and LFOs maintain their phase, and resonance continues to ring. Each oscillators pitch can also drift slightly over time, modeling the slight pitch instabilities found in analog hardware.

Envelopes are an often-overlooked factor that contributes to the unique sounds of vintage synths. The multi/poly module includes envelope curvature presets for the Mono/Poly, MS-20, “Mini,” “Pro,” ARP Odyssey, and more. Also, analog VCAs dont respond evenly to voltage, and have different thresholds for turning on and off, which in turn has a strong effect on the Amp Envelope’s character. So, the multi/poly module features modeled VCA responses from the Mono/Poly, MS-20, Mini, Odyssey, and Pro, as well as a linear option.

Ever tried to re-create a portamento effect from a favorite song, but couldn’t find the right setting even when you switched between “constant rate” and “constant time?” Classic analog synths had different approaches to portamento, too, and so the multi/poly has six different portamento models to choose from.

MIDI 2.0 Property Exchange and Polyphonic Aftertouch support

All models of multi/poly, hardware and software, support MIDI 2.0 Property Exchange and easy access to Polyphonic Aftertouch – making them excellent companions to KORG’s Keystage controller.

Rack-Mount and Desktop

The multi/poly module is cleverly designed for both desktop and rack-mount use. The front panel is redesigned to fit into a standard 19″ width, and the rear jack panel is recessed to allow easy access to cables even with gear mounted directly above. With desktop setups, brackets offer a choice of panel angles: flatter for performing standing up, or more upright for working while seated in your studio.

SPECIFICATIONS

System

• Maximum Polyphony: 60 voices (varies depending on settings)
• Sound generating system: Analog modeling synthesis

Modulation

• Controllers: Mod Wheel, Pitch Wheel, Kaoss Physics, 4x Mod Knobs
• Other Sources: 4x Envelopes, 5x LFOs, 8x Mod Processors, 3x Key Track, Seq Lanes A-D, Step Pulse, Step Pitch, Motion Seq On, Kaoss (X, Y, Distance, Angle, X+, X-, Y+, and Y-), Tempo, Program/Performance Note Count, Program/Performance Voice Count, Random (1+, 2+, 3 +/-, and 4 +/-), Constant Max, Poly Legato, Velocity, Exponential Velocity, Release Velocity, Gate, Gate+Damper, Note-On Trigger, Note-On Trigger+Damper, Note Number, Aftertouch and Poly Aftertouch (external MIDI only), Pitch Bend (normal, +, and -), MIDI CCs +/-, MIDI CCs +
• Destinations: Most parameters can be modulated, with over 5,500 potential modulation targets per Performance.

Effects

• Pre FX: Decimator, Graphic EQ, Guitar Amp, Modern Compressor, Parametric EQ, Red Compressor, Ring Modulator, Tremolo, Wave Shaper, Vintage Distortion
• Mod FX: Black Chorus/Flanger, Black Phase, CX-3 Vibrato Chorus, EP Chorus, Harmonic Chorus, Modern Chorus, Modern Phaser, Orange Phase, Polysix Ensemble, Small Phase, Talking Modulator, Vintage Chorus, Vintage Flanger, Vintage/Custom Wah, Vox Wah, CX-3 Rotary Speaker
• Delay: L/C/R Delay, Multiband Mod Delay, Reverse Delay, Stereo/Cross Delay, Tape Echo
• Master Reverb: Early Reflections, Overb
• Master EQ: 4-band parametric EQ

General

• Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks), DAMPER (6.3 mm phone jack, half-damper not supported), MIDI IN and OUT connectors, USB B port
• Power supply: AC adapter (DC12V, 2500mA)
• Power consumption: 5W
• Dimensions (W D H): 483 x 172 x 107 mm / 19.02 x 6.77 x 4.21
• Weight: 1.7 kg / 3.75 lb
• Included items: AC adapter
• Accessories (sold separately): DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch