Afro-Cuban Concerto (Woodwind Quintet)

Afro-Cuban Concerto (Woodwind Quintet) by Valerie Coleman, Published by V Coleman Music.

Afro-Cuban Concerto is a work that focuses on Afro-Cuban rhythms, the feel of Santeria worship, and the virtuosity of wind instruments (Santeria worship has its origins in the Caribbean and is based on the Bantu and Yoruba beliefs of Western Africa combined with elements of Roman Catholicism). Often mistaken for a ‘neo-classic’ work due to its harmonic structure, the essence within the Concerto is purely African and Cuban. All African-derived music has a basic structure from which all music from every genre(including classical) has benefitted. It is the feel of spirituality, passion, and rhythmic precisions that brings the essence of Afro-Cuban music to life in this piece. As with virtually all of the composer’s works, performers are encouraged to improvise when they have solos (within the Afro-Cuban vernacular for this work), and embellish when the mood hits.